Lay, Lady, Lay Ukulele Chords – Bob Dylan. This song uses the chords: A, C#min, G, Bmin, E, F#min, D. You can change the key for free, as needed.
Lay, Lady, Lay Ukulele Chords – Bob Dylan
INTRO:
A C#min G Bmin x2
“Lay, Lady, Lay” History:
🎵 Basic Facts
- Artist: Bob Dylan
- Album: Nashville Skyline (1969)
- Released as single: July 1969
- Genre: Country rock / Nashville sound
- Producer: Bob Johnston
🎧 Musical Style & Sound
This song surprised a lot of fans at the time. Dylan had been known for his nasal, biting vocal style, but here he sings in a warm, low croon—almost like a country balladeer.
Musically, it leans heavily into the Nashville sound:
- Smooth rhythm section
- Prominent pedal steel guitar
- A subtle but memorable drum pattern (with those soft, rolling toms)
- Laid-back, intimate production
It feels relaxed, seductive, and very un-Dylan-like compared to his earlier protest songs.
✍️ Lyrics & Meaning
At its core, “Lay, Lady, Lay” is about romantic desire and urgency.
The narrator is asking a woman to stay with him—right now, not later:
“Stay, lady, stay, stay with your man awhile”
Themes include:
- Living in the moment
- Choosing love over obligations
- A sense of gentle persuasion, even temptation
There’s also a subtle tension: the woman may have other commitments, but he’s trying to pull her into a more immediate, emotional connection.
🎬 Interesting Backstory
- The song was originally considered for the soundtrack of Midnight Cowboy, but it wasn’t finished in time.
- It became one of Dylan’s biggest commercial hits, reaching:
- #7 on the Billboard Hot 100
- It helped redefine Dylan’s image during his “country phase.”
🎙️ Vocal Shift
This track is often cited as one of the clearest examples of Dylan’s vocal reinvention:
- Gone is the sharp edge of songs like “Like a Rolling Stone”
- In its place is a smooth, intimate tone that fits the song’s mood perfectly
That shift played a big role in the album’s success.
🌟 Legacy
“Lay, Lady, Lay” remains:
- One of Dylan’s most accessible and radio-friendly songs
- A staple of his late-60s reinvention
- A track that broadened his audience beyond folk and protest music
It’s also been covered by many artists across genres, showing how adaptable and timeless it is.

